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Official site of Carlo Alberto Rossi
In this site you can listen to music written by Carlo Alberto Rossi, but also to compare the different versions of the same song with the arrangements, harmonies and musical styles that have occurred over the years.
Catalog of songs
Pages
Title |
Year | Listen | Details |
|---|---|---|---|
| SERENATA IN RITMO (SERENATA IN RITMO) | More | ||
| SERENATA NAPOLITANA (SERENATA NAPOLITANA) | More | ||
| Sette giorni con te (Sette giorni con te) | 1950 | More | |
| Si no estuveiras tu (Se tu non fossi qui) | 1965 | More | |
| SI NO ESTUVIERAS TU (SI NO ESTUVIERAS TU) | More | ||
| SILENZIO AMERICANO (SILENZIO AMERICANO) | More | ||
| SIMILE FENOMENO (SIMILE FENOMENO) | More | ||
| SO EINE LIEBE (SO EINE LIEBE) | More | ||
| SOLO EXISTE ELLA (SOLO EXISTE ELLA) | More | ||
| SOMEBODY S GOT TO DO IT (SOMEBODY S GOT TO DO IT) | More |
Pages
MORE PLAYLISTS
Listen to the wonderful songs of Carlo Alberto Rossi interpreted by great Italian and international artists.
EPIC MUSIC SHEET
Visit the new section: an extraordinary gallery of music scores from the late 1940s to the 1970s, very hard to find.
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The most appreciated by visitors to our site
(Slow a terzine)
Fred Buscaglione
ARE YOU A PROFESSIONAL PERFORMER?
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Comincia a suonare il pianoforte all’età di cinque anni. Si laurea in medicina nel 1978, ma... more
Appassionata al genere brasiliano della bossa nova, si reca più volte, tra il 2001 e il 2007, in... more
(Sax baritono, soprano e contralto)
Anche lui milanese, fondò la Milan College Jazz Society.... more
The Edition
C. A. Rossi Editore is one of the most prestigious Italian Music publishing history. It was created in 1951.
Read
Read
The Playlists
Listen to the wonderful songs of Carlo Alberto Rossi interpreted by great Italian and international artists.
Listen
Listen
Services
Epic Sheet Music
An extraordinary gallery of music scores from the late 1940s to the 1970s, very hard to find. See all the music sheets!
See
See
- Administration as well as general and full exploitation of local repertoires either wholly-owned and/or belonging to third parties.
- Actively promoting and/or working on international music catalogues/works pertaining to independent organizations, which to our knowledge have been so far lacking that particular attention they strongly deserve.
- That calls for massive cross-promotion of the original products, as well as other valuable means such as sync-fee in general, various performances and so forth.
- To monitor and anticipate the new tendency of music fruition...
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